A more elaborate report of our Salon will follow shortly, but for those of you who can’t wait to try out the wonderful apps of Karen Forbes and Marcus Abbott: here you go. Wemyss Caves Visualisation Project (don’t forget to check out the extra’s)  READ MORE

This conference will take place at the Long Room Hub, Trinity College Dublin on 19-20 June 2015. The conference aims to encourage dialogue and collaboration within and between the humanities, digital humanities, economics and social sciences concerning literary and artistic culture and the use of quantitativeREAD MORE

CREATE and the Amsterdam Academic Alliance are happy to host a workshop on Historical Networks Research. When? Friday 19th of June, 10-5 PM Who? With dr. Marten Düring, dr. Marijn Koolen, and you? Where? UvA University Theater, Nieuwe Doelenstraat 16-18, Room 1.04A How? UvA andREAD MORE

On Monday May 18 CREATE researcher Claartje Rasterhoff will present her research at the Boekmanstichting and emphasize the need for a historical perspective in discussions on creative industries (in Dutch). More info and registration: here.      READ MORE

Historical Network Research (http://historicalnetworkresearch.org) Historical Network Research 2015 International Conference Call for papers The Historical Network Research is pleased to announce its 3rd Annual conference. Having been held in Hamburg in 2013 and Ghent in 2014, this year it will be held in Lisbon, onREAD MORE

Interesting workshop on tool criticism for digital humanities on May 22nd, co-organized Centrum Wiskunde & Informatica, the eHumanities group of KNAW and the Amsterdam Data Science Center. More information and registration here.READ MORE

An animated and layered map showing some changes through time is a powerful tool when it comes to visualisation. It´s a great way of visualising the interaction of the actors in the creative industry for a given period of time. Let´s take as example thisREAD MORE

By Mascha van Nieuwkerk Within my CREATE project on Felix Meritis Programmes, research questions and the development of tools and data collections are in constant interaction. For a collection of cultural musicological essays on authenticity, developed in the UvA Master course Cultural Musicology, I investigatedREAD MORE