Call for organized session(s) on “Historical Network Research”at Sunbelt XXXV in Brighton UK, 23 June 2015 – 28 June 2015 Social Network Analysis (SNA) is making its way in historical research. Over the last decades a substantial number of studies has shown that both theories andREAD MORE

What? Performing Arts Data Part II: Cinema & Theatre. How to improve functionality of datasets and interfaces for research on the performing arts? When? Tuesday April 7, 3-5 PM Where? Oudemanhuispoort A0.08 Who?  Cinema: Kathleen Lotze (UU & UvA), Julia Noordegraaf (UvA), Thunnis van Oort (Universiteit Antwerpen); Theatre:READ MORE

Symposium: Digitale historische kranten als ‘big data’ Methoden en technieken van wetenschappers Dinsdag 24 maart 2015 organiseert de Koninklijke Bibliotheek (KB) een symposium over het gebruik van gedigitaliseerde kranten in Digital Humanities, geesteswetenschappelijk onderzoek met een computationele insteek. Verschillende onderzoekers presenteren hun tools en projecten. Digital Humanities DeREAD MORE

Can you imagine walking the streets of Amsterdam as it was around the year 1600? Historian Boudewijn Goudswaard and colleagues from Delft University developed an app that allows you to do just that! Demonstration of Time Travel App Saturday 14th of February – 11.00 AM, Dam Square FreeREAD MORE

Last Tuesday CREATE researchers Mascha van Nieuwkerk and Leonor Álvarez Francés attracted quite a crowd with their presentations on program data in the performing arts. In a basement in the PC Hoofthuis, jam-packed with historians, theatre experts, programmers and information specialists, they jointly presented their datasetsREAD MORE

On 28 and 29 January 2015 there will be a THATCamp event in Utrecht. THATCamp stands for ‘The Humanities and Technology Camp.’ It is an open, informal meeting where humanists and technologists of all skill levels learn and build together in sessions proposed on theREAD MORE

By Mascha van Nieuwkerk In musicology, the emergence of the ‘New Musicology’ or Cultural Musicology caused a broadening of the disciplinary focus to include the role of performers and musical consumers (audiences, critics, institutions, tastemakers) in shaping musical culture. Previously neglected print sources such asREAD MORE